A sensory universe…
The article here is from Magasinet Jeanne d´Arc Living, back in 2010. Since then, Lone has been in my thoughts a lot, as our paths occasionally cross. I myself have some of her ceramics and we also occasionally borrow ceramics for our photoshoots for the magazine. She is an amazing person and her art is very creative. Read or re-read the article below.
This beautiful late summer morning we are on our way, to West Jutland, to visit Keramiker Lone Pedersen. We have come far out into the countryside. We drive down a dirt road that takes us through the most beautiful landscape. The road makes a bend, and we have a full view of Lemvig Fjord. It can hardly be more beautiful. We are warmly welcomed by Lone, and we immediately feel very comfortable. The workshop is on the first floor of the building and is an experience beyond the ordinary.
Lone's ceramics exude a special charm, as they are fired in a way that gives them a worn appearance. Therefore, of course, it fits very well in style, together with old flea finds. Sources of inspiration come from sensory impressions that we all experience all the time. It comes to you if you are awake and absorb impressions. Everything is stored in the subconscious, and all the time, without perhaps being aware of it, you convert your sensory impressions into thoughts and ideas. It comes when you allow yourself to immerse yourself in the process. Lone feels that immersing oneself in art is an enrichment. The nice thing about it is that there is no list of facts. It is a puzzle that can be moved around again and again. Lone is a collector, and this is also evident in the workshop. It's an absolutely fantastic place she has here and her ceramics are absolutely exceptional and unique.
Raku Keramik is pottery or stoneware that has been fired outdoors. The technique originates from Japan, where a Japanese family that lived in the 16th century was given the name "raku" by a tea ceremony master, because the family produced beautiful and simple tea bowls. Due to the technique used, no two pieces of pottery will ever be exactly alike.